The Honey Pot, by Alan Riddell, 1969Since the grand opening of Loft 112 it seems that the center for writers and artists has something great going on every night. Whether it's musical performance, comedy show, literary reading, or just hanging out in a place with good vibes, the Loft certainly seems to be the creative hive it was opened to become. This Friday, June 27, Loft 112 is hosting what looks to be an extra special event:
MICHAEL MORRIS: ARE WORDS THINGS?
"The Vancouver-based painter, photographer, performance artist and curator Michael Morris will speak about concrete poetry and the creation of the mail art archive Image Bank and other networks. This event is free and open to all, starts at 5:30 p.m., and will be followed by a reception."
Before going any further I should mention that the beautiful piece of typewriter art to the right (The Honey Pot, 1969) is not the work of Michael Morris, but Alan Riddell. For a look at Morris' beautiful work, go here. I've thrown The Honey Pot in here to show my all-time favorite piece of concrete poetry and to celebrate the 2014 publication of 'Typewriter Art: a modern anthology'. The library copy of this long-awaited collection of poetry and art created entirely using typewriters will be here soon and I wanted to make sure all concrete poetry/typewriter art lovers out there had a heads-up...
In this book readers will find not only Alan Riddell's beautiful Honey Pot, but also more than a century's worth of the most innovative, interesting, and beautiful pieces of typewriter art from all over the world. From the butterfly of Flora F.F. Stacey (1898) all the way up to the impossibly fluid work of Stephanie Strange.
Also included is the work of Calgary Poet Laureate derek beaulieu, who, as this blog comes full circle, is a volunteer on the team that turns the wheel of Loft 112 and likely had something to do with the visit of Michael Morris. According to the anthology, beaulieu is "currently archiving a great many examples of typewriter/visual poetry" in order to salvage so much of the work that only appeared in obscure journals in the 1960s and 70s.
|Typewriter Art: a modern anthology