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    Walls

    by Phil - 0 Comment(s)

    In 2002 he brought us to Ghana, Togo, Benin, Niger, Burkina Faso, Mali and Mauritania with Harmattan: Wind Across West Africa. In 2006 Poets & Pahlevans took us on ‘a journey into the heart of Iran' in an exploration of the relationship between heroic poetry and the various styles of traditional Persian wrestling. This year Marcello Di Cintio is taking his audience into Walls. Many walls. From India to Montreal, Morocco to Arizona, Cyprus to Belfast. I have no idea how he managed to fit this much travel, tension, and experience into 288 pages, but this week we get to find out...

    OFFICIAL WALLS BOOK LAUNCH

    THURSDAY SEPTEMBER 20

    CROWN SURPLUS (INGLEWOOD)

    1005 - 11th Street SE

    7pm - 8pm

    According to the event's Facebook page, this is outdoor, so do bring a jacket.

    To place your hold on Walls, click here.

    _____________________________________

    More on the book...

    In this ambitious blend of travel and reportage, Marcello Di Cintio travels to the world’s most disputed edges to meet the people who live alongside the razor wire and answer the question: What does it mean to live against the walls?

    Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier.

    From Native American reservations on the US-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they surround. Some walls define “us” from “them” with medieval clarity. Some walls encourage fear or feed hate. Others kill. And every wall inspires its own subversion, whether by the infiltrators who dare to go over, under or around them, or by the artists who transform them.

    ___________________________________

    Why is this event outdoor in Calgary in September?

    According to Marcello's blog, "Elsewhere":

    "I decided to hold the event in the back lot of Calgary’s Crown Surplus. Considering the topic of the book, I figured I’d surround my audience with fences, barbed wire, army tents and other shards of military urbanism."

    Makes sense.

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