I haven't yet had a chance to immerse myself in George Webber's new collection of photography, Prairie Gothic, so I've been scouring the library's digital photograph collection to see what we have to contribute to a sense of local 'gothicness'. Below are my two favourites. Both are from the Alison Jackson Collection.
My sense of gothic and your sense of gothic, like everybody's, probably differs. Especially since the only criteria for me seems to be a rolling sky over whatever object is pictured beneath it. Add an abandoned barn or creaky octopus ride and it's at the top of the list, automatic.
I clearly need some authority on the subject.
Luckily, two artists with a very strong sense for the meaning and pull of their prairie habitat have come together to produce the recently released PRAIRIE GOTHIC - a collection of photography by George Webber accompanied by the writing of Aritha Van Herk.
I'm kind of hoping it's full of the slow, beautiful wreckage of abandoned barns, but it's likely much more than that.
The photographer/author team will appear together this Sunday at Shelf Life Books for a photo presentation and reading. What better way to get to know this special collection than through the lens of the man who took the pictures and a writer who's been bringing our landscape to life for decades. The presentation starts at two pm. For complete details go the Shelf Life Books' event listings.
Click here to place a hold on your library copy of Prairie Gothic.
"George Webber’s poignant black-and-white photographs transport us into the forgotten, unknowable communities of the Canadian prairies. Throughout the journey, we’re confronted by the mysterious particulars of life, death, landscape and faith. Intimate portraits and the hard facts of the place are woven together to create a body of work that is by turns inspiring, consoling and sometimes achingly sad."